Our reading for today: Luke 24: 44-53 (MsgB)
Then (Jesus) said, “Everything I told you while I was with you comes to this: All the things written about Me in the Law of Moses, in the Prophets, and in the Psalms have to be fulfilled.” He went on to open their understanding of the Word of God, showing them how to read their Bibles this way. He said, “You can see now how it is written that the Messiah suffers, rises from the dead on the third day, and then a total life-change through the forgiveness of sins is proclaimed in His name to all nations—starting from here, from Jerusalem! You’re the first to hear and see it. You’re the witnesses. What comes next is very important: I am sending what My Father promised to you, so stay here in the city until He arrives, until you’re equipped with power from on high.” He then led them out of the city over to Bethany. Raising His hands, He blessed them, and while blessing them, took His leave, being carried up to heaven. And they were on their knees, worshiping Him. They returned to Jerusalem bursting with joy. They spent all their time in the Temple praising God. Yes.
Congratulations. We made it!
A Journey into 3-C Christian Discipleship.
A 36-week devotional trek embracing the twelve characteristics of the Christ-centered life.
Nine months – 114 blog entries!
And now, before we close the book for good, let’s imagine ourselves in one final scenario. Let’s you and I picture ourselves in the midst of this magnificent scene we just read from the conclusion of Luke’s gospel (Luke 24: 44-53).
There we are, standing with the disciples, looking into the eyes of the risen Christ. With the authority He now holds, the Master speaks over us, blessing us and saying, “Now…you’re My witnesses.” And following a pregnant pause, He then whispers to us, “What comes next is very important.”
Thanks here to the writings of the modern-day theologian, N. T. Wright*, I liken the drama of this moment to when the curtain goes up on the final act of the debut performance of a long-lost Shakespearian play. Let’s imagine, for a moment, the story of some fortunate treasure-hunter who uncovers a script while searching through a pile of old papers stashed away in the attic of some now-deceased London playwright. After careful examination by the experts, these tattered pages turn out to be a hand-written manuscript penned by the master playwright himself, William Shakespeare! But alas, the play is not finished. The first two acts are complete, but only the first few pages of the third and final act are there.
*Please note that in Wright’s analogy, he uses a five-act play, but for simplicity reasons, please allow me to shorten this colloquy by two acts!
It’s decided by those who want to bring this ancient drama back to life, that rather than using experts in Shakespearean literature to finish writing the play, the director will use a much more creative approach in bringing this classic tale, first to a smaller audience gathered at the renovated Globe Theatre in London, and then finally to the rest of the world. During the dress rehearsal, the director instructs his acting troop, made up of men and women who have given their lives to the performance of Shakespeare, to perform Acts I and II exactly as the master playwright has penned them. Then, in Act III, the actors are told that the curtain will go up and the team will begin by reciting the last few pages written in the original manuscript, but then all will be allowed to flesh out the final scenes of this marvelous play using their own creative acting skills!
The director is very clear, of course. The players must follow two important criteria. First and foremost, the troop must always stay in complete character, remaining consistent with everything that’s been performed on the stage thus far. And secondly, each actor’s performance must stay true to the stylistic concepts found in other Shakespearean literature. In other words, the actors can’t go out and end this magnificent performance with an hour-long recital of Emily Dickinson poetry if they want to remain faithful to what Shakespeare intended for his original writings.
“But now,” the director says, “comes the fun part! Under my direction and oversight, each of you, my talented actors and actresses, now has complete liberty to improvise your way through the remainder of the play, just as you, as well-trained Shakespearean actors, assume the Bard of Avon would have wanted it to be!”
And so it is with us.
In Act I, we find the amazing God-story that is recorded for us throughout the Old Testament, setting the stage for the Master Playwright’s entire work. After a short break, the theatre curtain rises again, bringing us to Act II. Here the Christ-event in the Gospels unfolds, spelling out for us the next part of this amazing drama, bringing us to an even greater awareness to the larger story at hand. We, in the audience, gasp at the sight of the crucified carpenter, and then just as the lights are dimmed, we find ourselves rising to our feet to applaud the unexpected return to the stage by the risen Christ! As the thundering applause dies down, the curtain closes and we, the audience, begin to gather our coats.
Suddenly, the Director comes to the front of the stage and asks all of us to remain in the theatre. There is one more act to come. We, the patrons, know full well, from everything we’ve experienced in Acts I and II where the larger story is probably going, but we’re very curious as to how the Playwright will get us all there. As the curtain goes up on Act III, the players come back on the stage, and to our surprise, the Director shocks us all by insisting that those of us in the audience come up on the stage as well! Once the actors and the audience are all gathered, the Director looks at us, smiles, and says with all clarity and purpose:
“Now…you’re the witnesses to everything that has just happened! What comes next is very important!”
So, the final act of this God-story has begun. For nearly two thousand years now Act III of God’s holy trilogy has been lived out on the world stage. Each generation has been given the unique God-assignment of being witnesses to the resurrected Christ. The role you and I have been recruited into is vital to the larger story God is telling His creation. It’s an important role we’ve been cast in, and as they say in the theatre, there are no small parts in this magnificent play. Only small actors!
So as an acting troop, on stage performing Act III of God’s great redemption story, we must all be very careful to not lose track of our assignments. As the Director warns, we can’t go off on tangents or rabbit trails that will, quite honestly, distract all of us in the auditorium from the task at hand. Any confusion on our part as Jesus’ witnesses in God’s bigger story might also bring a fog of confusion to those who have now gathered to watch this final part of the Master’s performance. Quite honestly, there’s nothing worse than having an actor on the stage who doesn’t know his or her lines. Or what about those who prance proudly around the floor trying to capture the spotlight while the rest of the cast is doing their very best to tell Christ’s story?
So it is with us as twenty-first century followers of Jesus, audience and living witnesses to the Risen Lord. Hmm. In a way, N.T. Wright’s Shakespearean scenario kinda reminds me of the ancient prayer of St. Teresa of Avila…
Christ has no body but yours. No hands, no feet on earth but yours. Yours are the eyes with which He looks compassion on this world. Yours are the feet with which He walks to do good. Yours are the hands with which He blesses all the world. Yours are the hands. Yours are the feet. Yours are the eyes. You are His body. Christ has no body on earth but yours.
Now, my fellow troubadours…lets go break a leg! In case you didn’t know, that’s Shakespearean talk for ‘let’s go give the audience our very best!’
My prayer: Jesus, Your holy commission is fairly simple in nature. As we experience You, the risen Christ, and the power and presence of God’s in-breaking Kingdom, our part on the stage of life is to simply be a witness to that experience. We are not called to add to Your story, but just use our creativeness as we bear witness to all we’ve seen and heard. For Your name’s sake. Amen.
My questions to ponder: How am I guilty of adding to or subtracting from the simple commission given by Jesus to His followers? How do I need to re-align my life so that my role on stage is to use my gifts that God has given me to simply bear testimony of what God has done in my life, giving an eye-witness account to Jesus of Nazareth and all He has done, is doing, and will do in my life?
So what is God speaking to you today as we attempt to live the Christ-centered life?
Over a thirty-six week period, you and I have taken a deeper look into twelve key characteristics of a godly life. In other words, we took A Journey into 3-C Christian Discipleship. In order to keep all the blog sessions organized, we suggest you bookmark our Journey home page for ease of use. Thank you for joining us!
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